Susan Sontag
Slate | March 2011
Remembering an intellectual heroine.
Between the word "public" and the word "intellectual" there falls, or ought to fall, a shadow. The life of the cultivated mind should be private, reticent, discreet: Most of its celebrations will occur with no audience, because there can be no applause for that moment when the solitary reader gets up and paces round the room, having just noticed the hidden image in the sonnet, or the profane joke in the devotional text, or the secret message in the prison diaries. Individual pleasure of this kind is only rivaled when the same reader turns into a writer, and after a long wrestle until daybreak hits on his or her own version of the mot juste, or the unmasking of pretension, or the apt, latent literary connection, or the satire upon tyranny.
The 20th century was perhaps unusual in the ways in which it forced such people to quit their desks and their bookshelves and to enter the agora. Looking over our shoulders, we do not find that we have much respect or admiration for those who simply survived, or who kept the private life alive. We may owe such people more than we know, but it is difficult to view them as exemplary. Our heroes and heroines are those who managed, from Orwell through Camus and Solzhenitsyn, to be both intellectual and engaged. (This combination of qualities would also be true of a good number of our fools and villains, from Celine to Shaw, with Sartre perhaps occupying the middle position....